Friederike Bernhardt (aka Moritz Fasbender) has always been attracted to the obscure – somber places, dark music and film noir. Her music bends the rules of contemporary classical music or neo-classical. The pianist from Leipzig marries her classical background and grand piano to reverb effects and field recordings. Friederike’s latest work consists of twelve pieces played on the piano and Prophet synthesizer. The album conjures images from our collective subconsciousness and could easily underscore a David Lynch or Roy Anderson film.