Five Questions For... Bindu De Knock

13.10.26

ESNS27 is getting closer, and with it the vibrant conference programme we're cooking up. To give you a taste of the programme and of the diverse topics that will be discussed, we're asking speakers to give us the scoop on their expertise and the panels they'll be part of. Today we're talking to Bindu De Knock, Amsterdam based attorney-at-law specialising in music, entertainment and intellectual property law. At ESNS27 she will be part of two panels: 'Top 10 Legal Issues You Need To Know About in 2027' (EN) and 'AI is here to stay, dus we moeten er wat mee...' (NL).

1. What is the biggest challenge or myth in the music industry you’re currently trying to tackle?

Many artists/songwriters are working on their creative craft, but they are weary when it comes to their business skills, like attending to their legal affairs. It is daunting to most people. The language is weird, the agreements are complicated and lawyers are a necessary nuisance sometimes. I'd like to see us lawyers and creatives working more as part of the same engine. To build a sustainable career in the music industry both the creative and business pillars need to stand tall. You will build everything else on top of it. You can imagine what happens if one pillar is underrepresented....no balance, no carrying structure.

2. Why should delegates make sure not to miss your session(s)?

I hope it makes legal subjects more tangible and more accessible. Just like picking the correct guitar, with the right strings, pickups and sounds...law is a tool at your disposal to make your music rights work for you. If you do it well, that will continue to pay you back over the duration of your intellectual property rights, and that can be financially rewarding too, not just artistically.

3. Why is this specific conversation urgent for the industry right now?

The future has a lot of question marks for creatives. Having a conversation about the uncertainty is necessary to gain a better understanding on how to prepare better for a career in music.

4. If you could change one thing about the future of the music business, what would it be?

Putting the value and admiration back into music. Music has been commoditized too much. AI CEO's claiming making music is not fun don't understand the essence of the creative process, from learning an instrument, mastering it and using that instrument to express your emotions. There is nothing else like it: you start with nothing and then there is this song you wrote. How magical is that? It is a shame it has been reduced to a carrier for social media attention, IPO's and profits. They could be selling shoelaces for all they care...but we care about music, don't we? So why can it not be both: commercially interesting while at the same time ensuring creators can earn a proper living?

5. Other than your own panel, what are you most excited to discover, hear, or connect with at ESNS?

I love catching up with old friends, meeting new friends, feeling the vibe of the industry and seeing where we are heading next.